Helping to develop the Forgotten Communities Project as a part of the National Cultural Heritage Initiative is one of my reflections and also apart of my purpose.
I not only believe God gave me art to encourage and inspire others, but also to help rebuild communities through the arts. Like the woman in this piece, my work is not done. There are many people to encourage and inspire and many cities to help rebuild through art. Here is just one of my reflections....
Yesterday I delivered artwork for my 'From Whence I Came Exhibit' to the Arthur Rose Museum of Art at Claflin University, Orangeburg, S.C.
Claflin University, founded in 1869, is the oldest historically black university in South Carolina.
'From Whence I Came Art Exhibit' is a reflection of the spiritual journey of people of African Descent through my art. It is a glimpse into their culture, their heritage and their traditions. This exhibit captures the movement of a people from the Door of No Return, which was the last door the Africans went through before getting on to the slave ships, to Freedom’s Door-walking into a new way of life, while struggling to preserve their identity, customs and traditions in a new world.
When I arrived, I was greeted with a warm welcome at the door and when I stepped inside I was overwhelmed by the beauty and energy from this museum. The museum is dedicated in the memory of Artist Arthur Rose Sr., known as Dean of Black Art in South Carolina.
I could literally feel the kind creative spirit that dwells within the walls of this museum.
After reading about Arthur Rose Sr., my recent paintings 'I Am A Man' and 'Aint I A Woman' spoke deeper to my heart. Painted on fencing, they symbolize one's ability to step pass the boundaries inwhich this world and even ourselves have placed on us. I began to remember an exhibit I once saw years ago.. In it was a black and white photograph of a little girl from Charleston. She was standing behind an iron gate. One side of the gate was open and the other was closed. In the distance you could see a large plantation house behind her. She stood there, face pressed against the fence, as if she was locked in the state she was in; afraid and unabled to take one step over and one step out. Her freedom was literally steps away, but it's not until she has a renewing of her mind and a desire in her heart to be free, that she will step out and live out her destiny.
Arthur Rose Sr. was one who I believe lived out his destiny.
A South Carolinian by birth, Arthur Rose spent his entire career as an artist and educator in his native state, where he worked to overcome barriers confronting African American artists. Born in Charleston in 1921, Rose was one of eight siblings to attend local public schools and the only sibling to pursue higher education. Following a brief stint in the Navy during World War II, Rose graduated from high school and enrolled in Claflin University in Orangeburg, South Carolina in 1946. After earning a bachelor’s degree in 1950, Rose temporarily relocated to New York, where he pursued advanced studies under the guidance of Hale Woodruff, among other notable faculty, at New York University.
During his two-year New York sojourn, Rose’s Southern home was never far from his mind. Indeed, Charleston was a significant source of inspiration. Rose described the rolling sea and fluttering breezes of the Carolina Lowcountry—those natural elements constantly in motion—as influential to the development of his organic creative process, in which the final composition asserts itself, rather than having been preconceived. Known for his expressionistic sculptures, Rose nonetheless insisted that he was a painter first. His naïve figural and genre scenes are populated with subjects inspired by African folklore—from lithe gazelles to praying parsons and harlequin poets. Critics and scholars have described Rose’s graceful, sometimes humorous, forms as owning a light-hearted vitality indicative of the artist’s own carefree nature.
Upon completing his graduate degree in 1952, Rose returned to Orangeburg to begin a thirty-one year tenure at Claflin University. There, he served as chair of the art department and, following an eight-year leave of absence during which he was artist in residence at Voorhees College in Denmark, South Carolina, returned to Claflin as an associate professor of art. At Claflin University—the only college in the South where African Americans could earn a bachelor’s degree in art at mid-century—Rose went to great lengths to exhibit his students’ work. Because segregation limited their access to commercial galleries, Rose initiated an annual “Fence Exhibit,” in which students publically displayed their art along the front fence of Claflin. Though he retired from teaching in 1991, his enthusiastic efforts to create opportunities for his students, are not forgotten. In fact, many successful African American artists of the state, such as Leo Twiggs, continue to refer to Rose as “the Dean of Black Arts in South Carolina.”
In 2005, ten years after the artist’s death, Claflin University renamed their newly renovated gallery space for faculty and student exhibitions the Arthur Rose Museum. The following quote appeared in the program for the museum’s dedication: “Mr. Rose created an atmosphere in his studio/classroom that reminded one of the movement of the winds and waves that he experienced as a child in Charleston: the reassuring notion that natural activity was always occurring.”
His motto for a successful future is "Never let hard work or criticism impair your progress. Take them as a challenge and master our dreams." As he himself did, Rose urged young people to "pursue your vision to the fullest."
It's an honor to exhibit my artwork here at the Arthur Rose Museum of Art at Claflin University.
"Render therefore to all their dues: tribute to whom tribute is due; custom to whom custom; fear to whom fear; honour to whom honour. - Romans 13:7